Breaking the Habit of Suffering

I’ve been wondering whether the way we experience reality can become a habit.

Grief, loss and trauma are part of being human. None of us escapes them. What interests me is something quieter: the way reality itself can begin to feel filtered through expectation, where disappointment arrives before possibility, where what’s broken stands out more sharply than what’s beautiful, and where life slowly starts to feel like something happening against us rather than for us.

I know that way of seeing because I lived it.

Growing up in Bulgaria, I was surrounded by intelligent people who questioned everything. Criticism wasn’t considered negativity; it was often regarded as a sign of depth. The people who could expose contradictions, dismantle ideas or explain why something wouldn’t work were admired. Looking back, I don’t think there was anything unusual about that. Every culture develops its own emotional habits. Some instinctively question; others instinctively build. Each illuminates a different part of reality.

The problem isn’t criticism. I still believe scepticism is one of our most valuable intellectual tools. It keeps power in check, exposes bad ideas and protects us from easy answers.

The question I’ve become interested in is what happens when criticism quietly stops being a tool and becomes the lens itself.

Psychology offers an intriguing explanation. We are all born with what psychologists call the negativity bias. Our brains notice danger more quickly than opportunity, criticism more readily than praise, and setbacks more intensely than successes. From an evolutionary perspective, that makes perfect sense. A mind that paid attention to threats was more likely to survive than one distracted by beauty alone.

The brain, however, doesn’t simply record experience. It adapts to it.

Donald Hebb’s famous principle—“neurons that fire together wire together”—captures one of the foundations of modern neuroscience. The thoughts we rehearse most often gradually become our default thoughts. The neural pathways strengthen, familiar interpretations become increasingly automatic, and over time they begin to feel less like habits and more like reality itself.

I wasn’t surprised when I first came across these ideas. If anything, psychology and neuroscience gave me a vocabulary for something I had already experienced.

Looking back, I think I had slowly trained myself to look at life through a particular prism. My attention naturally drifted towards disappointment before possibility, towards flaws before potential, towards what could go wrong before what might go right. I didn’t choose that consciously. Like most habits, it developed so gradually that it simply came to feel normal.

Then my environment changed.

Living in the United States didn’t convince me that America had discovered the secret to happiness. It hadn’t. I still think American confidence can sometimes become naïve, even arrogant, and the belief that anything is possible can overlook the complexities of real life.

What it did offer me, however, was a different emotional atmosphere.

I found myself surrounded by people who often began from possibility rather than limitation. Instead of instinctively explaining why something couldn’t be done, they were just as likely to ask how it might be done. That difference stayed with me, not because one culture was right and the other wrong, but because it reminded me how deeply we absorb the emotional habits of the people around us.

Albert Bandura’s work on social learning helps explain why. Human beings don’t simply exchange ideas; we model one another’s behaviours, expectations and beliefs. We inherit emotional habits far more easily than we realise.

My own shift wasn’t dramatic, although I did make a conscious decision to change. There was no single defining moment. It unfolded quietly over years. Different conversations led to different questions, and different questions gradually shaped a different way of paying attention.

The more I read, the more I realised that neuroscience was describing exactly what I had lived through. Neuroplasticity tells us that the brain remains adaptable throughout our lives. The pathways we’ve strengthened are not fixed forever. Attention itself can be trained.

That idea changed me because it didn’t promise happiness. It offered something more valuable: the freedom to question my own assumptions, to notice possibilities alongside problems, and to recognise that the stories I’d inherited about the world weren’t necessarily the only stories available.

Perhaps that’s why I’ve come to think that suffering can become a habit.

Not because suffering is pleasurable, but because familiarity exerts an extraordinary pull. A way of seeing the world, repeated often enough, begins to feel like the only truthful way of seeing it. We mistake habit for reality.

These days, I still value criticism. I still question ideas. I still think scepticism matters.

What has changed is the prism through which I look.

The world didn’t suddenly become kinder or easier. The light itself didn’t change. What changed was the angle from which I learned to see it. As the prism slowly turned, it revealed colours that had always been there: possibility alongside disappointment, generosity alongside selfishness, hope alongside suffering.

That’s the most hopeful lesson psychology and neuroscience have to offer.

Our brains never stop changing. The habits that shaped us don’t have to define us. The stories we’ve inherited aren’t necessarily the stories we have to keep telling ourselves.

Perhaps that’s what freedom really is.

Not escaping reality, but refusing to mistake one colour of reality for the whole spectrum.

Learning, slowly and deliberately, to see more of it.


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The Value of Human Imperfection in the Age of AI

I am increasingly baffled by the conversation around artificial intelligence.

Not because AI exists. Not because it is useful. It clearly is.

What confuses me is why we insist on comparing it to human beings.

Every week we are presented with another headline asking whether AI can write better than a novelist, paint better than an artist, compose better than a musician or think better than a human being. We are told that the machines are catching up. That they are becoming more creative. More intelligent. More capable.

Perhaps.

But I cannot help feeling that we are comparing two fundamentally different things.

The problem begins when we start judging one by the standards of the other.

Human creativity has never been about efficiency.

Some of the greatest discoveries in human history happened because people made mistakes.

Penicillin was discovered because mould contaminated a petri dish.

The microwave oven emerged because a chocolate bar melted unexpectedly in an engineer's pocket.

Post-it Notes exist because a scientist failed to create the adhesive he was actually trying to invent.

Human beings have an extraordinary ability to find meaning in accidents.

We turn mistakes into discoveries.

We turn failures into lessons.

We turn suffering into art.

That is not a flaw in the human system. It is a feature.

We celebrate innovation, yet innovation itself is often born from confusion, uncertainty and imperfection.

No child learns to walk by executing a perfect algorithm.

No scientist discovers something new by already knowing the answer.

No artist creates something original by following a formula.

Human progress is messy.

In fact, most things worth having are messy.

Love is messy.

Friendship is messy.

Parenthood is messy.

Grief is messy.

The most important moments in our lives rarely happen because we followed the most efficient route.

They happen because we got lost. Because we changed our minds. Because we took a risk. Because something unexpected happened.

And yet we seem increasingly determined to measure human value through the lens of optimisation.

Faster.

Cheaper.

More productive.

More efficient.

Artificial intelligence excels at these things.

Human beings do not.

And thank goodness for that.

Because if efficiency were the highest virtue, there would be no point in reading novels, visiting art galleries, travelling the world or falling in love.

The shortest route is rarely the most meaningful one.

I have no issue with AI as a tool.

Tools are not the problem.

The problem is our growing tendency to place AI and humanity on the same scale and ask which performs better.

They are not competitors.

A paintbrush is not competing with a painter.

A piano is not competing with a musician.

A camera is not competing with a photographer.

But certain people keep insisting and pushing for AI to compete with humanity, solely for their own profit.

We cannot entertain this anymore. We have to be blunt - one is a tool.

The other is the source of every idea, every emotion, every dream and every act of imagination that led to the creation of the tool in the first place.

This is why we should push back against the growing narrative that human labour is simply an inefficient problem waiting to be solved.

Increasingly, we are told that AI can write the articles, create the artwork, compose the music, answer the questions and eventually replace much of the work that people do today. The implication is often that if a machine can produce something "good enough", then the human contribution becomes unnecessary.

I reject that idea completely.

The value of human work has never rested solely in the output.

The value is in the thinking, the learning, the experimenting, the failing, the collaborating and the creating.

Human creativity is not a manufacturing process. It is an expression of consciousness.

Perhaps the greatest danger is not that artificial intelligence becomes more capable.

It is that we begin to see ourselves as less valuable in comparison.

We should resist that idea.

Not because we fear technology, but because we understand something that the champions of efficiency often forget:

Human beings are not machines.

We are not optimisation problems.

And the imperfections that make us slower, messier and less predictable than AI are the very same qualities that have driven every meaningful breakthrough in human history.

Let’s change the conversation and let’s remind ourselves the value of humanity.



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The Illusion of Intimacy in the Digital Age

I enjoyed Justin Bieber’s Coachella performance, but I can’t quite shake this feeling...

There’s something about it all that really lands. The close-ups, the softness, the way he looks straight into the camera as if there isn’t a crowd — as if it’s just you. It feels intimate in a way that’s hard to ignore. Not performative in the obvious sense, but quiet, almost personal. Like you’ve been let into something. 

You can feel the influence of artists around him too — people like Dijon, and Mk.Gee (who I LOVE), especially on “Daisies”. There’s that rawness, that slightly unpolished emotional tone that makes everything feel closer, more human. Add to that the nostalgia running through the performance — him singing with his younger self — and it creates this deep space that’s easy to fall into. That we all kind of crave for. 

And I think that’s the point. Or at least part of it. 
Because what it gives you, very effectively, is intimacy. 
But then there’s this other layer to it that’s hard to ignore. 

That same intimacy — the eye contact, the softness, the sense that someone is speaking directly to you — it’s also the exact same language we see everywhere else now in this digital age. On social media. On dating apps. In those late-night conversations with people who feel close very quickly, and then just as quickly disappear. Experiences that are not real, almost echoing love bombing but on a massive scale.

It’s not necessarily intentional. It’s just how things are now. 

We’ve learned to recognise intimacy through a screen. Through a lens. Through someone looking “at” us in a way that feels like they’re looking “into” us. And artists have picked up on that — or maybe just naturally evolved into it — creating performances that don’t just entertain but simulate connection. 

And it works. 

It feels real while you’re in it. The emotion is real. The reaction is real. But the connection itself isn’t. It can’t be. It’s one-sided. It exists only for the duration of the moment. 

And that’s where it starts to feel familiar in a different way. Because it mirrors how we live now within the digital spaces. This constant exposure to curated intimacy — conversations that feel meaningful but aren’t grounded in anything, interactions that feel personal but aren’t actually shared in person. The sense of closeness without the reality of it. The performance of connection, rather than the thing itself. So, watching that performance, I found myself holding two thoughts at once. 

On one hand: This is beautiful. This is what art does. It creates a feeling, a moment, a shared experience between strangers who all recognise something in it. Art can create intimacy between strangers. 

On the other hand: This is also exactly how connection and intimacy functions in the digital age. Carefully framed. Emotionally precise. Designed to feel personal. But ultimately, not something you can hold onto because it is not real. 

Close, but not quite. 
Personal, but not really. 
An intimacy we keep returning to — not because it’s real, but because it feels like it could be.

p.s.and yeah, that camerawoman deserves a raise! :)
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Migration Is Not a Crisis. It Is How Humanity Survives

Migration is often discussed as if it were an anomaly — a disruption to an otherwise stable world. In political debate, it is framed as a modern emergency: something to be controlled, deterred, or stopped. But this framing collapses under even the lightest historical scrutiny.

Human beings are a migrating species. We always have been.

Modern humans originated in Africa and, over tens of thousands of years, spread across the planet in search of food, water, safety and habitable land. Every society that exists today is the result of people moving when staying put was no longer possible. Migration was not a failure of order or belonging; it was a condition of survival.

That instinct has not changed. What has changed is the world it now collides with.

For most of human history, movement was not criminalised. People followed seasons, rivers, trade routes and opportunity. Ancient cities such as Rome, Baghdad, Istanbul and Alexandria were built by newcomers. They became powerful not despite migration, but because of it — because they absorbed labour, ideas, languages and belief systems from elsewhere.

It is only with the rise of the modern nation state that movement became tightly regulated and morally charged. Borders hardened. Passports replaced paths. Migration was recast as “immigration”, and belonging became something that could be granted or withheld.

Yet people continued to move.

The modern world was shaped by some of the largest migrations in human history: European expansion into the Americas, the forced displacement of millions of enslaved Africans, the redrawing of borders after world wars, the collapse of empires. These movements were often violent and unequal, but they were not aberrations. They were structural to how the world we now inhabit came into being.

Today, migration is frequently framed as a moral and political failure rather than a human response to pressure.

In the UK, debate has centred on small boats crossing the Channel — a phrase that has come to stand in for fear, loss of control and political frustration. People arriving this way are routinely described as “illegal”, despite the fact that seeking asylum is a legal right under international law.

Successive governments have focused on deterrence: restricting safe routes, narrowing definitions of vulnerability, and attempting to offshore responsibility. The now-abandoned Rwanda scheme was not just a policy proposal but a statement — that removal mattered more than refuge.

What is often missing from these debates is context. People do not risk their lives at sea because the journey is easy or because alternatives are unclear. They do so because legal routes are scarce, danger at home is immediate, and the future they are leaving behind has collapsed.

Migration is not judged equally.

A British citizen relocating for work is an “expat”. A family fleeing conflict or economic collapse is a “burden”. Some arrivals are welcomed as contributors; others are framed as threats. The difference is rarely about movement itself, and more often about race, wealth and geopolitical convenience.

This selective framing allows societies to forget a basic truth: most people alive today are descended from migrants who were once unwelcome somewhere else.

Climate change is already reshaping migration. Rising sea levels threaten coastal and island communities. Prolonged droughts undermine agriculture and food security. Extreme heat makes entire regions harder to live in year after year. This is not a future problem. It is a present one.

Climate-driven migration will not be a single event or wave. It will be uneven, ongoing and global — and it will test political systems that still treat migration as an exception rather than a constant feature of human life.

At the heart of the migration debate lies a fundamental misunderstanding.

People move because staying becomes impossible. They move not out of recklessness, but out of responsibility — to their children, their families, their own survival. Migration is not an invasion. It is an adaptation.

To understand migration is to understand ourselves. It is not a breakdown of order, nor a threat to civilisation, but one of the oldest human responses to change. People move when the land can no longer sustain them, when conflict or climate closes in, when the future demands adaptation. 

Migration is about humanity trying to survive.


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Is Adulthood Just Boring?

Nobody tells you how boring being a grown-up can be….

Not dramatic boring….Just Boring….Taxes. Insurance. Mortgage. Bills. Passwords. Renewals…Emails that all somehow are super urgent!!!

And you can’t fully REBEL!

Drink too much? You’ll feel it.  
Eat too much? NO!  
Stay up too late? Forget it.  
Sleep, water, stretching, flossing, supplements….Don’t you skip them!

But finally, you are in CHARGE…

*This needs sorting,* and then do it. No permission slips. No waiting for someone else. You are the adult.

I was thinking about this watching a video about cities’ infrastructure. Some cities get snow every year and still act shocked. Transport collapses. Everything stops. Panic. Chaos.

And then there’s Helsinki.

Helsinki gets snow and plans for it in advance and in a sustainable way…Systems designed by people who know winter will arrive and planned accordingly. Snow falls. Snow is cleared. Life continues. No panic. No fuss. 

And that’s hot.

Being the Adult that gets shit done is sexy.

Book tickets early. Grab the right train. Coordinate the group chat. 

Bring healthy snacks. 

Pack wipes, clothes, batteries, small miracles. 
Fix a broken process before anyone realises it was broken.  
Notice a leak, a blocked path, a missing bin, just sort it.  
Organise the birthday, the trip, the delivery, the pick-up, the check-in, the follow-up – you’re in control, baby!

Improving Life – it’s hot, it’s adulthood done right and far from boring...